3D MODELS
This model mimics the weathered texture and relief style of ancient petroglyphs, featuring an early depiction of a unicorn, inspired by prehistoric depictions of early horses as shown in Georges Bataille’s Prehistoric Painting. The tablet is imagined as a remnant of a lost culture, predating formal zoological taxonomy, depicting a prezwalski’s unicorn. Its aesthetic draws from both archaeological finds and speculative fiction, suggesting a blurred line between recorded history and invented mythology.
A satirical 3D rendering of a faux pharmaceutical product, Lycan-To-Go humorously parallels testosterone HRT packaging, marketing a convenient, portable dose of werewolf-transformation. It’s sketchy looking, with smudged lettering, mimicking the sort of unsafe products that are relentlessly advertised to trans people. The digital aesthetic contrasts sharply with the more organic, ancient forms of other models, linking it directly to Blake Wright’s more contemporary, social media-driven world.
Modeled after a hunting trophy, presenting a werewolf head mounted for display. It draws from the history of pseudoscientific and colonial display practices—natural history museums, freak shows, and cabinets of curiosity—while also referencing gothic horror. It is mounted on a wooden board, and is placed into an advertisement, selling the severed head of this humanoid beast.