Kaos Exhibition:



The website adopts a deliberately chaotic design, parodying ad-ridden pseudo-academic pages with autoplay banners, sensationalist listicles, and fabricated products such as “Lycan-To-Go.” These exaggerated digital elements critique how the internet monetises fringe knowledge and misinformation.

Rowan Dunn, Webpage, 2024
The Unreality Archive assigns each fictional document to a specific contributor—Walter Benjamin, Blake Wright, or Professor Alaric Westmere—whose distinct approaches allow the same subject to be framed as gentle, grotesque, or absurd. Their styles intentionally clash to reflect the contradictory ways marginalised identities are represented.
Rowan Dunn, Webpage, 2024
Rowan Dunn, Webpage, 2024


Visit the site here: Unreality Archive

    Gallery Installation & Reflections




    To introduce the Archive within the gallery, I created a minimal9st red poster depicting a simplified Mothman and the phrase “Do you believe in monsters?” Taped messily to an electrical box, the poster included a QR code linking to the site. This subtlety was intentional—I wanted the encounter to feel serendipitous, like finding something secret. However, many viewers missed it entirely, raising an ongoing question in my practice: when does ambiguity create intrigue, and when does it become a barrier?

    Rowan Dunn, digital, 2024
    Rowan Dunn, digital, 2024
    Rowan Dunn, digital, 2024

    Rowan Dunn, digital, 2024